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https://w.atwiki.jp/mrfrtech/pages/27.html
Market Scenario The elements responsible for developing the railroad stage security market include the rising need to limit the danger of unapproved admittance to stages and expanding interest for extra help and progressed answers for security the executives. Railroad traveler security is interlinked with the wellbeing and security of rail line resources like rail line stages and trains. Limiting unapproved access with the assistance of control frameworks guarantees an undeniable degree of safety for travelers as well as products at the rail route stage. Global Railway Platform Security Market is expected to register a CAGR of 5.5% during the review period, 2019–2025. A few measures are taken to limit unapproved access through fencing for railroad tracks, the establishment of CCTVs at high-hazard areas, the arrangement of data to chance gatherings, and the increase of oversight. Access control frameworks assume an essential part in forestalling unapproved access via the robotizing passage and leave activities and getting significant regions. In addition, the section of unapproved people and an enormous number of guests lead to unmanageable groups on railroad stages with the presence of automated multi-passage and leave focuses at stations that can be powerless against security dangers; subsequently, the need to limit the danger of unapproved admittance to stages has expanded. The worldwide railroad stage security market has been sectioned based on the part, application, and locale. Under the part section arrangements, sub-fragment is ascribed to holding potential development possibilities though, among the administrations sub-portion, oversaw administrations are relied upon to develop fundamentally during the figure time frame. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8742 Competitive Outlook The Global Railway Platform Security Market is characterized by the presence of several regional and local providers. Some of the key players in the market are Honeywell (US), Indra Sistemas (Spain), Huawei (China), Bosch (Germany), Atos (France), FLIR Systems (US), Axis Communications (Sweden), talent (UK), Zhejiang Dahua (US), Hikvision (China), STANLEY (US), Wabtec (US), L T Technology Services (India), Mitsubishi Electric (Japan), Genetec (Canada), Knorr-Bremse (Germany), Nabtesco (Japan), Senstar (Canada), Avnet (US), and Anixter (US) among others. Segmentation The Global Railway Platform Security Market has been divided in view of parts, applications, and districts. By part, the market has been sectioned into arrangements and administrations. The arrangement section covers sensors, caution frameworks, and video observation frameworks. The different sorts of sensors remembered for the sensors fragment are microwave sensors, infrared sensors, fiber optic sensors, radar sensors, and different sensors. The video reconnaissance frameworks section has been additionally divided into programming and equipment. The equipment section incorporates cameras and capacity gadgets, while the product fragment incorporates astute video examination programming and video the board programming. By administrations, the market has been partitioned into proficient administrations and overseen administrations. By application, the market has been fragmented into metros and trains. The locales remembered for the review are North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. Regional Analysis Geologically, Global Railway Platform Security Market has been arranged into four locales, in particular North America, Europe, Asia-Pacific, Middle East and Africa, and South America. North America is relied upon to overwhelm the worldwide railroad stage security market with the most noteworthy portion of the overall industry, though Asia-Pacific (APAC) is relied upon to be the quickest developing area in the rail line stage security market because of the expanding reception of trend-setting innovations and expanding GDP of Asia-Pacific nations. Additionally, likely economies in the Asia-Pacific area like China, Korea, Australia, Singapore, Hong Kong, and India are quickly putting resources into the innovative change as would be considered normal to fuel the development of the Global Railway Platform Security Market around here. Industry News September 2019 Honeywell sent off another product named Forge Cybersecurity Platform that improves, fortifies and scales online protection for resource concentrated organizations and basic foundation confronting digital dangers. The new programming securely moves information starting with one site then onto the next, utilizes tasks information to reinforce endpoint and organization security, and further develops online protection consistency. February 2019 Indra Sistemas joined forces with Begirale, an innovation-based organization that had practical experience in PC vision and PC insight. As per the association, Indra Sistemas would utilize Begirale s items, Begicrossing and Begirail, to further develop rail line wellbeing. November 2018 Hikvision refreshed the adaptations of its warm profound learning shot cameras, which offer different upgraded capacities for border security, alongside the high-level discharge recognition innovation. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/railway-platform-security-market-8742 List of Tables Table 1 Global Railway Platform Security Market By Region, 2020-2027 Table 2 North America Railway Platform Security Market by Country, 2020-2027 Table 3 Europe Railway Platform Security Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global Railway Platform Security Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Five Forces Analysis of Global Railway Platform Security Market Continued… Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
https://w.atwiki.jp/mrfrtech/pages/41.html
Market Scenario The worldwide Digital Business Card Market is predicted to achieve approximately USD 242.3 million by the end of 2027. Further, the same market has estimated to reach a CAGR of ~11.2% in the assessment period of 2021 to 2027. Basically, digital business cards are easy to share with others through email, text (SMS), Facebook Messenger, QR code, Telegram, Twitter, Facebook, WhatsApp, LinkedIn, and others. The increasing importance of sustainability among various consumers and businesses, growing users of smartphones across the world, and interesting options and features provided by digital business cards are some of the major growth driving factors for the global digital business card market during the assessment time frame. Moreover, the global market has lucrative growth opportunities for the key players due to the rising small medium size enterprises across the world. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10696 Competitive Outlook HiHello, Inc. (US), Haystack (Australia), Inigo (US), L-Card (US), Switchit (US), Adobe (US), Techno Infonet (India), About.me (US), SnapDat (US), CamCard (US), Mobilo (US), DziCard.com (Quancore Group) (India), Knowee (Spain), Lulu Systems, Inc. (US), and Vistinkard (India)are the key companies of the global digital business card market. Segmentation Segmentally, the global digital business card market has been divided based on platform, type, application, and pricing. The digital business card industry has been classified based on the platform segment such as Windows, iOS, and Android. Among all, the Android segment is projected to hold the leading position by generating the largest market share in the global market during the research time frame. In terms of type segment, the market for the digital business card has been categorized into enterprise user, business user, and individual user. Of these, the enterprise user segment is registered to account for the dominant position by holding the largest market share in the worldwide market during the research period. On the basis of the application segment, the digital business card industry has been divided into sales entrepreneurs, business owners, events and travels, marketing agencies, consultants, education and training, software IT, health and beauty, finance realtors, and others. Out of all, the segments like sales entrepreneurs, business owners, consultants, and marketing agencies are contributing largely to the growth of the digital business card market. Depending on the pricing segment, the global market has been segmented yearly and monthly. Here, the yearly pricing segment has held the largest market share due to the huge discount on annual subscriptions provided by various companies. Moreover, the individual segment is projected to boost the global market growth during the assessment time frame. Regional Analysis According to digital business card market analysis, the market has been spread across different regions such as Asia-Pacific (APAC), North America, the Middle East Africa, South America, Europe, and the rest of the world. Among all, the North American market is registered to hold the largest market share during the forecast time frame due to rising rapid digitalization in different enterprises and businesses. Moreover, the growing importance of sustainability among various enterprises and companies and increasing environmentally conscious among customers drive regional market growth. Apart from these, the Asia-Pacific market is accounted to expand the fastest CAGR in the review period due to the rising digitalization among different businesses. Industry News On 29th July 2021, the dominant digital business card platform for businesses and individuals named HiHello Inc. has declared its new funding of USD 7.5 million with an aim to grow its business platform and expand its team to support all sizes of companies. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/digital-business-card-market-10696 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Burglar Alarm Market https //www.scutify.com/articles/2022-04-04-burglar-alarm-industry-scope-and-overview-booming-worldwide-size-share-threats-key-players About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #google #data #report #size #share #digital #news #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/touhoukashi/pages/2115.html
【登録タグ S Stack ヴォヤージュ1969 ヴォヤージュ1970 少女救世論 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/api_programming/pages/104.html
下位ページ Content HTTP通信文字化けが起きた パラメータの出力 レスポンスの「確認」 basic 認証 HTTP通信 接続先のURLへ情報を送信し、結果を保存する - @IT java.net.URL HttpURLConnection URLのインスタンスを作成。ここで接続先を指定する。 URLのインスタンスのopenConnectionで接続HttpURLConnectionを作成 パラメータはOutputStreamで出力するJavaによるHTTPリクエスト時のパラメータの渡し方 getResponceMessage()でレスポンスのボディを受け取る disconnect()で通信終了 URL url = new URL(strURL); HttpURLConnection con = (HttpURLConnection)url.openConnection(); connection.setDoOutput(true); connection.setUseCashes(false); connection.setRequestMethod("POST"); // 通信方法にPOSTを指定 // パラメータ送信 OutputStream os = uc.getOutputStream(); // POST用のOutputStreamを取得 PrintStream ps = new PrintStream(os); String postStr = "a=1 b=2 c=3"; ps.print(postStr);// データをPOSTする ps.close(); // 受信 InputStream is = uc.getInputStream(); // POSTした結果を取得 BufferedReader reader = new BufferedReader(new InputStreamReader(is)); String s; while ((s = reader.readLine()) != null) { System.out.println(s); reader.close(); uc.disconnect(); } 文字化けが起きた しばらく何事もなかったのに、Toodledoで新しいタスクを作成する処理を行っているときに、iPhone経由でのタスク登録にて文字化けが発生。（iPhone以外では、日本語のタスクを作成しなかった、とかではないと思うが。。。） アラートで表示 OK サーバでの受取での表示 OK Toodledo での受取 NG なので、servlet→toodledoの送信でだめ？っぽい。 文字コードをセットできる場所として PrintStream 生成時に UTF-8 を追加 [[PrintStream(java.io.OutputStream, boolean, java.lang.String) https //docs.oracle.com/javase/jp/6/api/java/io/PrintStream.html#PrintStream(java.io.OutputStream, boolean, java.lang.String)]] で、正常動作（文字化け回避）になった。 パラメータの出力 パラメータはOutputStreamで出力する (HttpURLConnection).getOutputStream でもOutputStreamはバイト文字列で表記とか、使いづらい。 当初、PrintWriterクラスを使っていたが、日本語を使う必要が出た際に、文字化けで詰まったので、 OutputStreamWriterクラスを使うようにした。 OutputStreamWriter osw = new OutputStreamWriter(connection.gerOutputStream(),"UTF-8"); osw.write(str); osw.close(); OutputStreamWriter PrintWriterを使うのが便利。 JavaによるHTTPリクエスト時のパラメータの渡し方 レスポンスの「確認」 System.err.println(httpcon.getResponseCode()) // 戻り値はint System.err.println(httpcon.getResponseMessage()) getResponseCode() getResponseMessage() HTTPステータスコード - Wikipedia basic 認証 http //x68000.q-e-d.net/~68user/net/java-http-url-connection-2.html https //developer.android.com/reference/android/util/Base64.html http //www.programing-style.com/android/android-api/android-basic-authentication/ 正式な？方法があるらしいが、代替的な方法で、client_id と client_secret をパラメータとして渡す方法もあるらしい。
https://w.atwiki.jp/touhoukashi/pages/3156.html
【登録タグ RE tmnc Acoustic collection TUMENECO yukina ほ ヒロシゲ36号 ～ Neo Super-Express 曲 月の妖鳥、化猫の幻】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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Craracked.com The 8 Most Terrifying Restaurants from Around the World世界中で最も恐ろしい、ゾッとするような８つのレストラン #8.Guo-Li-Zhuang A Penis Buffet第八位 Guo-Li-Zhuang という名のペニスビュッフェ #7.Cannibalistic Sushi第七位 食人寿司 #6.Dinner In The Sky第六位 空中での食事 #4.Modern Toilet第四位 近代的なトイレ #3. Eternity第三位 Eternity(永遠) #2. Fortezza Medicea第二位 メディチ要塞 #1.“Roppongi”第一位 「六本木」 ソースロンダリングの経路#7.Cannibalistic Sushi の経路 #1.“Roppongi” の経路 関連ページ Craracked.com http //www.cracked.com/ America s Only Humor Video Site, Since 1958 検討：世界のニュースの中に毎日を紛れ込ませるとどうなるかでも述べているように、事実のなかに嘘を紛れ込ませると、嘘も事実に見えてくることがあります。 これは大変恐ろしいことです。 The 8 Most Terrifying Restaurants from Around the World 世界中で最も恐ろしい、ゾッとするような８つのレストラン http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ 「世界の８つの恐ろしいレストラン」の1位に「六本木の…」があります。 この８つのレストランの中には、空中ワイヤー釣りレストランや刑務所レストランのように実在するものも取り上げられています。 The 8 Most Terrifying Restaurants from Around the World by Michael Swaim 世界中で最も恐ろしい、ゾッとするような８つのレストラン For centuries, restaurants have been making the same fiscal error time and time again serving delicious food at reasonable prices. Truly a recipe for fiduciary disaster. 何世紀にも渡って、レストランは同じような財政上の間違いを幾度となく犯してきました。手ごろなお値段で美味しい食べ物を提供してきたのです。 本当に、信託災難のレシピです。 Here at least are eight restaurants that understand, to truly make a profit in the food business, you want to guarantee your patrons eat as little as possible, then get the hell out. It’s called “high turnover.” Ask an economist. フードビジネスで本当に利益を上げるには、できるだけ食べない、そして急いで立ち去る常連客のご贔屓が必要だと理解している少なくとも八軒のレストランがここにあります。 『高回転率』と呼ばれています。 経済学者に尋ねてみなさい。 #8.Guo-Li-Zhuang A Penis Buffet 第八位 Guo-Li-Zhuang という名のペニスビュッフェ Are you suffering from a low sex drive? Lack confidence and virility? Love stuffing animal penises into your mouth? あなたは性欲低下に悩んでいますか？ 自信と精力が不足していますか？ 動物の陰茎を、是非にも口に含みたいですか？ If you answered “yes” to any of the above questions, Guo-Li-Zhuang may just be the lunch spot for you. Or you may just be a pervert. もしあなたが上記の質問のどれかに「はい」と答えたなら、Guo-Li-Zhuangは絶好のランチスポットになるでしょう。 もしくは、あなたが単に性倒錯者であるなら。 Assuming the former, you’ll get a blast and a half out of Guo-Li-Zhuang’s tasteful interior decoration, soothing ambient music, and kitchen full of cooked animal members. 前者だと仮定すると、あなたはGuo-Li-Zhuangの趣味のいい室内装飾に興奮に興奮を重ねるでしょう。うっとりさせる店内音楽が流れ、そして厨房は調理された動物の体の一部でいっぱいです。 And when it comes to man-meat, Guo-Li-Zhuang just can’t be beat! They’ve got horse penis, goat penis, dog penis, pig penis, cock cock…why, they’ve got more penis than you can shake your dick at! (Dick shaking not recommended, as you risk losing your penis to another hungry customer). ちんちんということになると、Guo-Li-Zhuangは本当に最高です！ 馬のペニス、ヤギのペニス、犬のペニス、豚のペニス、雄鶏のちんちん…なぜ、彼らはあなたが ちんちんを振って指して数えることができる以上のちんちんを扱うのでしょう！ （ちんちんを振って指すのはお勧めしません。腹を空かせた他の客に食べられてしまう恐れがありますから。） All that and balls to boot! At Guo-Li-Zhuang, you can get any dick with testicles on the side; the way God intended. Would you like pig balls with a goat dick? Done. そういったものから、おまけに睾丸にいたるまで！ Guo-Li-Zhuangではあなたは、神が意図して創られた形のままの、いかなる ちんちんも、睾丸を添えて頂けますよ。 豚の睾丸の、ヤギのちんちん添えですね？かしこまりました。 Dog penis with one horse ball and one rooster ball? Why the hell not? A big horse cock and two tiny chicken balls? Hilarious! 馬とオンドリの睾丸が添えられた犬のペニスはどう？ は？それは嫌いなの？ じゃあ、でかい馬のちんちんと二つの小さな鶏の睾丸はどう？ 爆笑！ Or why not indulge yourself with the “man’s mighty meal,” a plate of three floppy dicks and eight？count‘em eight!？swollen testicles, guaranteed to give you back your virility or send you screaming into the streets. というか、何故「男性用のすんごい食事」に耽溺しないのですか？三本の柔らかなちんちんと、八個の、いいですか、数えてください。八個の！膨れあがった睾丸との盛り合わせ、この料理はあなたに精力を取り戻させてくれて、ひゃっほお！と快哉を挙げながら街に繰り出させてくれること間違いなしですよ。 Guo-Li-Zhuang? More like Chow-On-Wang! Ordering sausage and eggs for breakfast just got a little more interesting. Guo-Li-Zhuang?それよりも、”ちんちん-を-食べる”って店名の方がそれっぽいじゃん! （西洋人がよく朝食に食べている）ソーセージと卵をこのレストランでオーダーしたら、（ちんちんとタマタマだらけの メニューなわけだから、）ちょっと面白い経験が出来ますよ。 #7.Cannibalistic Sushi 第七位 食人寿司 For many Americans, eating rolls of raw fish can be a tough sell. 多くのアメリカ人にとって、生魚の巻き物を食べることは受け入れ難いことであるかもしれません。 But if you’re one of the thousands of open-minded Yanks who’ve fallen under the spell of sushi in recent years, then what better way to totally ruin it for yourself than eating it out of a dead person? しかし、もしあなたが、寿司の魅力のとりこになる、生魚に偏見の無い近年の数千人のアメリカ人の内の一人だったなら、死んだ人間を材料にして作られたものを食べる以上にあなた自身を完全に零落させる方法があるでしょうか。 At Cannibalistic Sushi, an edible body is wheeled out to your family on a gurney, along with as much scotch as you need to disinfect your forks and convince yourself that this was a good idea. 食人寿司では、食用の死体がストレッチャーに載せられてあなたの家族の前に運ばれてきます。フォークを消毒するために、そして、これはいい考えなんだと自分自身を納得させるためにあなたが必要とするだけの分量のスコッチと一緒に。 Then, it’s time to dig in! Whether you’re using chopsticks, a knife and fork, or your bare hands, one thing’s for certain you’ll be feasting on the entrails of a human being. さあ、かぶりつく時間だぞ！ 箸を使おうが、ナイフとフォークを使おうが、手づかみだろうが、1つだけ確かなことがある。あなたは人の内臓のごちそうを食べるだろうことです。 The artisans at Cannibalistic Sushi have taken pains to ensure that the human body you are ripping into is as lifelike as possible. 食人寿司の職人は、あなたが食い付いている人体が、確実にできるだけ実物そくりになるようにするために苦心しています。 The sushi inside is shaped to resemble human organs, a red “blood sauce” is embedded in the skin layer so as to create realistic bleeding, and your corpse even has a set of papier mache genitals! It’s like your third grade arts and crafts project all over again. この寿司の内部は、人間の内臓に酷似するようにつくられます。そしてその皮膚の表面薄層には、赤い「血液ソース」が、現実的な出血を引き起こすために、埋め込まれています。そして、あなたに提供された死体には、ひととおりの張り子の性器がありさえします! それは、あなたの小学3年生の図工の時間の再演のようです。 If you’re an experienced cannibal, make sure to specify a male or female corpse when ordering, and show the other diners just how sophisticated your taste in human flesh is. あなたが経験豊富な人食い人種であるなら、死体を注文するときには、男性のものか女性のものかを忘れずに指定して、あなたの人肉の趣味がいったいどれくらい洗練されているのかを他の客に示してください。 And although eating at Cannibalistic Sushi may not quell the voices in your head that command you to kill and devour those around you, it will certainly shut them up for a day or two. ああ、食人寿司で食事する程度では、あなたの頭の中の、あなたの周りの（人間）を殺して、むさぼり食えと命令する声は静まらないかもしれませんが、ここで食事することは確かに1日か2日間は、その声を止めてくれるでしょう。 Confuse your inner psychopath by making a reservation at Cannibalistic Sushi today! 食人寿司を予約することによって、あなたの内なる狂人をごまかしてください！ #6.Dinner In The Sky 第六位 空中での食事 Not a restaurant in the true sense, Dinner In The Sky is more of a philosophy. The philosophy that if food tastes better outdoors, then it will taste even better than that suspended thirteen stories in the air. 言葉の真の意味においてのレストランではなく、Dinner In The Sky はむしろ哲学です。 食物は屋外でより美味しいのだとする哲学なら、ひいては空中１３階に吊り下げられてのそれは、それよりさらに一層美味しいでしょう。 By making a reservation, you can guarantee you and up to 21 guests the dining experience of an extremely bizarre lifetime. At the appointed date, a Belgian crane will come and hoist your table, seats, waiters and even an entertainer into the air for a two-hour meal. The food is exceptional, and the entertainment consists of a man on all fours clutching at the ground and weeping until you are once again lowered. 予約を入れることによって、あなたはあなたと最大２１人までのゲストに極端に奇抜な、生涯にまたとない食事の経験を保証できます。 約束の日付に、ベルギーのクレーンが来てあなたのテーブル、座席、ウエイターそしてエンターテイナーまでもを、二時間の食事のために高く吊り上げるでしょう。 食事は秀逸で、そしてエンターテイメントは、あなたが再度下げられるまで四つんばいになって地べたを掴もうとしてシクシク泣いている男性から成り立ちます。 With Dinner In The Sky, you will truly experience all the labia-clenching terror that height has to offer. Your seats are groundless, leaving your legs dangling in the breeze, a testament to man’s refusal to not do crazy things that affront God. You are harnessed in however, so diners should be sure to evacuate their bowels before boarding, or else risk giving someone below the worst day of their lives. Dinner In The Skyでは、あなたは本当に、高さが提供せざるを得ない全ての唇を引き結ぶ恐怖を体験するでしょう。 あなたの座席は根も葉もなく、あなたの脚をそよ風の中に踊らせたままにしておきます、 神様を侮辱する正気でない振る舞いをしないという、人間の辞退の証です。 あなたはハーネスを着けられてはいますが、なので食事客は必ず搭乗前に彼らの腸を空にしなければなりません。さもなくば、リスクが誰かに、彼らの人生最悪の日よりも悪いものを与えるでしょう。 At 130 feet in the air, depending on your location, you can expect wind, fog, rain, and low flying birds to add a healthy sense of atmos-fear to your meal. And if by chance a romantic thunderstorm should swell, rest assured that you are fastened to a 130 foot-tall metal rod. 空中１３０フィートのところで、あなたの所在地次第で、あなたは風、霧、雨、そして健康的な「大気」(*1)の感覚をあなたの食事に加えるために低く飛ぶ鳥たちを期待できます。 そしてもし偶然にもロマンティックな激しい雷雨がうねることがあったなら、１３０フィートの高さの金属の棒に縛りつけられての休憩が保証されます。 #4.Modern Toilet 第四位 近代的なトイレ If you’re still eating at Old Fashioned Toilet, you’re woefully behind the times, and let’s not even discuss Chamber Pot and The Outhouse. The fact is, today’s modern world demands a modern toilet?for sitting on while eating, for eating out of, for…actually that’s all the toilet uses we can really remember. もし貴方がいまだに旧式トイレで食事しているのなら、あなたは痛ましいほどに時代に遅れなので、尿瓶と屋外トイレについて議論することさえやめておきましょう。 実際は、現今の現代世界は、近代的なトイレを要求しているんですよ？食べている間に座るために、そこから取って食べるために、それと…実のところは、それは私たちが実際に思い出すことができる、そのトイレの用途の全てです。 Thank heavens, then, that the Modern Toilet restaurant has seen fit to outfit their restaurant with only the most modern plastic lids, fuzzy seat covers, and fine ceramic bowls, and then filled those bowls with a hot steaming pile of soup. And all Modern Toilet restaurants are co-ed, so don’t fret; your hubby won’t miss watching you guzzle soup out of a urinal, head held low while drops of broth splatter onto your face. あーよかった、それなら、そのモダン・トイレ・レストランは、彼らのレストランに、最もモダンなプラスティック製の蓋、微毛のある便座カバー、そして素晴らしいセラミック製の便器のみを取り付けて、そしてその次にはそれらの便器を湯気が出るほど熱いなみなみのスープで満たすのに向いています。 そして、全てのモダン・トイレ・レストランは男女共用なので、あなたの夫が、あなたが尿瓶からスープをガブガブ飲み、ブロスの滴があなたの顔にはね散るのにもかかわらず、頭を低く持って行くのを見逃そうとしなくても、イライラしないで下さい。 And if the thought of eating a soup of yellow broth and chunks of cooked beef out of a toiled bowl seems less than appetizing to you, not to worry! Simply drop the soup into the toilet that is your seat, and flush it away. そして、黄色いブロスのスープと 調理された牛肉の大きな塊を便器から取り出して食べるという考えが、決してあなたの食欲をそそりはしないように思えたとしても、ご心配には及びません！ 単に、あなたの座席であるトイレにスープを放り込むと、それを水で洗い流してしまいますから。 Of course, the toilets aren’t functional, and a waiter will be along shortly to escort you off the premises. But at least you didn’t have to eat the shit soup! Instead, you can skip straight to dessert, a heaping helping of chocolate soft serve, fresh out of the bowl. もちろん、そのトイレは 機能するものではありませんし、ウエイターはすぐさま、あなたを部屋の外へエスコートするために来るでしょう。 しかし少なくとも、あなたは大便スープを食べずとも済んだのです！ 代わりに、あなたは、品目を飛ばして、便器に絞られた山盛りのチョコレートソフトクリーム一盛りのデザートに進むことができます。 So go out and spread the word about Modern Toilet, if only because you don’t want a confused mall patron running in and pissing into your Chicken Curry. 出かけて、モダントイレに関する噂を広めなさい。混乱したショッピングセンターのパトロンが駆け込んできて、あなたのチキンカレーに小便して欲しくだけはないのなら。 #3. Eternity 第三位 Eternity(永遠) If you’re anything like us Cracked writers, you can’t count the number of times you tried to cheer up a friend after a death in their family by surprising them with a trip to Chuck E. Cheese’s. And no matter how many times they run out of the building screaming, it never stops being funny. もしあなたが、私たちのような頭のおかしいライターに似ているところがあるなら、チャッキーチーズへの旅行によって驚かせて、家族を急に喪った友人を励まそうとした回数は数えられないほどでしょうし、そこで友人が何度 泣き叫びながらビルから走り出ても、旅行が愉快なことは決して変わりはしないでしょう。 Luckily, most will forgive you if you present them with an eighty-ticket unbreakable comb you won playing skee-ball. 幸いなことに、あなたがチャッキーチーズのスキーボールで獲得したポケットコーム（チケット８０枚相当分の景品です）をプレゼントしたら、彼らのほとんどはあなたを許すでしょう。 But if you’re not like us Cracked writers, you may want to mourn their recent loss at a place more befitting the occasion. しかしもし貴方が、私たちのような頭のおかしいライターではないのなら、あなたはおそらく、もっとその出来事に相応しい場所で、彼らに降りかかったばかりの喪失を悼みたいことでしょう。 Enter Eternity, the restaurant designed for people who have lost a loved one, and don’t want to move on any time soon. Eternityに入ると、このレストランは愛する人を亡くして、今すぐには気持ちを切り替えたくはない人々向けにデザインされています。 The windowless, coffin-shaped cafe is also an ideal dining destination for those who would like to recall the dead, but live far from a cemetery and find their remembrances go well with a banana nut muffin, not to mention goth kids and weird loners. 窓の無い、棺の形をしたカフェは、死者を思い出したいのだけれど、墓地から遠いところに住み、 バナナナッツマフィンが回想を順調にさせると気づいた人向けの理想の食事目的地でもあります。野蛮なガキどもや孤独好きな奇人向けであることは言うまでもなく。 The restaurant features funeral wreaths, white lilies on each table, and walls made of what appears to be black plastic, in case you happened to bury your mother in a garbage bag. このレストランは葬儀用の花輪、各テーブルに活けてある白百合、そして黒いプラスチックで出来ているように思われる壁、を呼び物にしています。あなたが母親をゴミ袋に埋葬するはめになるといけないので。 Although if that’s the case, we’ve got some grisly news for you involving wolves and dismemberment. もしゴミ袋に埋葬する気なのだとしたらですが、私たちは泥棒と切断に関するいくつかの身の毛もよだつような情報を所持しています。 In fact, you might want to sit down for this. Banana nut muffin? 実のところ、あなたはこれのために座りたいのかもしれない。バナナナッツマフィン？ #2. Fortezza Medicea 第二位 メディチ要塞 This exclusive restaurant in Voltera, Italy has tables booked weeks in advance. In order to secure a table, you and your guests will need to call ahead, submit to full background checks, and, once on premises, the maitre d’ and his helpful staff will frisk you and take your cell phones and anything else they deem a risk. このイタリアはボルテラ(*2)にある高級レストランは、テーブルを何週間も前に予約されます。 テーブルを確保するためには、あなたとあなたの招待客は事前に電話する必要があるでしょう、完全な身元調査を提出し、そして、一度 店に来たなら、支配人とその有能なスタッフがあなたのボディーチェックをし、あなたの携帯電話と、その他の彼らが危険だと考えたものを取り上げるでしょう。 Why the precautions? Is it because their chicken parmesan is so delicious, patrons have been known to storm the kitchen, threatening the life of the cook staff lest they reveal what Hell-demon they blew to get the recipe? Yes, but also because Fortezza Medicea is a maximum security prison. その予防措置は何のためなのか？ 彼らのチキン・パルメザンがとても美味で、常連客は台所を攻撃することで知られていて、調理スタッフの人生を脅かしていて、レシピを手にするために地獄の悪魔が襲撃するといけないからだということを彼らが明かしたからなのでしょうか？ ええ、何故ならFortezza Mediceaはまた、最高レベルのセキュリティーの監獄でもあるからです。 Not only is it a prison, but the wait staff and cook staff are all convicted inmates. The head chef is doing life for murder, as is the piano player Bruno (Bruno will take no requests. Do not speak to or make eye contact with Bruno). The cooking is accomplished entirely with plastic utensils, for the safety of the customers, and added “casual” feel of the establishment. Why, dining at Fortezze Medicea is just like having a picnic! A picnic with the mafia! そこは監獄であるだけではなく、給仕スタッフと調理スタップは全員が有罪判決を受けた囚人です。 料理長は殺人による終身刑に服している、ピアノ演奏者のブルーノです。 （ブルーノはリクエストを受け付けはしないでしょう。 決してブルーノとしゃべったり、目線を合わせたりしないように） 調理は完全にプラスチックの器具で行われます、顧客の安全のために、そして施設の雰囲気に「カジュアルさ」を加味するために。 なぜ、Fortezze Mediceaでの食事はまるでピクニックに出かけているかのようなのでしょう！ マフィアと一緒のピクニック！ But not to worry; while you eat, you will at all times be under the hawk-like gaze of 20 prison warders, just waiting for an inevitable violent escape attempt. Will you be taken hostage at (plastic) knife-point, used as a human shield by a convict, or simply gunned down in the cross fire? It all adds to the deliciousness of their signature red wine sauce. けれど心配無用です。あなたが食べている間、あなたは常に不可避である暴力による脱走の企てをただ待っている２０名の看守の、鷹のごとき注視の元にあります。 あなたは(プラスチックの)ナイフの刃先で人質に取られ、人間の盾として囚人に利用される、つまり容易く十字砲火の凶弾に倒れる気はありませんか? それはすべて、彼らの特製赤ワインソースの美味しさを増幅させます。 Shanks, Fortezza Medicea, for proving that even killers-for-hire can make an alfredo sauce that’s to die for! ありがとう(*3)、雇われ殺人者であっても、死ぬほど食べたいアルフレイドウ・ソース(*4)を作れるのだと証明するためのFortezza Medicea！ #1.“Roppongi” 第一位 「六本木」 The last restaurant on our list is so exclusive, it doesn’t even have a name. 私たちのリストに載っている最後のレストランは、本当に排他的で、名前さえありません。 To eat there costs between two to eight thousand dollars, and you must be a member (to qualify as a member, you must have a yearly income in excess of $175,000…well, in Yen). ここで食事するためには、2000から8000ドルかかりますし、それにあなたは会員にもならなくてはなりません。 （会員としての資格を得るには、年収が175000ドル以上なければいけません…もちろん、円でね） It’s a secretive, controversial club located underground in Tokyo’s fashionable Roppongi District. Where you have sex with your food. 東京の洒落た六本木地区の地下に居を構えている秘密の、論議を巻き起こすクラブです。 食べ物とセックスする場所です。 Playing with your food has never been taken so literally. At the Roppongi club, you’ll get to make love to your choice of a chicken, dog, pig, or goat; male or female. At this point, unless you’ve overstepped your bounds, the animal is still alive, and presumably frisky. 食べ物で本当に おイタをしたことなんて、絶対に経験ないでしょう。 しかし六本木クラブでは、あなたが選んだ鶏や犬、豚、ヤギとセックスできるでしょう。オスとでもメスとでもね。 この時点では、あなたが節度を守れば、動物はまだ生きていて、おそらく元気に跳ね回っているでしょう。 Once the deed is done, you (and your family? Guests? We’re not really sure what you want to do here) retire to the dining area. 一旦、行為をしたら、あなたは(あなたの家族と一緒にでしょうか?あなたの招待客と一緒にでしょうか? 私たちはあなたがここで何をしたいのかが全く解りませんが) 食事場所に退いてください。 In a matter of minutes, you are presented with a delicious meal of roasted whatever-animal-you-just-fucked. The restaurant is not forthcoming with many details, but one imagines, largely for the sake of one’s sanity, that the animal is cleaned out first. ものの数分で、あなたは≪あなたがファックしたばかりの動物の≫、美味な炙り肉を相伴できるでしょう。 このレストランは詳細の多くを公表されていませんが、しかしほとんど私の正気のために私が推測するところでは、その動物は先に一掃されるのでしょう。 Admittedly, this exclusive dining establishment is not for everyone, but if you’re a rich person who has literally exhausted every other human experience (remember, that includes injecting heroin into your eyeball), then why not top off your life of debauchery with a humped dog? ご指摘の通り、富裕層向けのディナーは万人向けに設立されたものではありません。しかしもしあなたが、ありとあらゆる体験（体験の中には、眼球にヘロインを注入することも含まれることを覚えておいてくれ）に完全に食傷した裕福な人間なら、ヤられた犬で道楽人生を締めくくられてはいかがでしょう？ As one of the patrons (who wished to remain anonymous) stated, “the appeal of the place just came about because when people have got money and done everything else, they turn towards bestiality.” 常連客の一人（匿名希望）は述べます。「人は金を持って、あらゆる事をやりつくすと、獣姦に走るからここは魅力的なのさ」 We’re on to you, Bill Gates, Donald Trump, J.K. Rowling and Paul McCartney. Watch it. 私たちはあなたのやってることをお見通しですよ、ビル・ゲイツ、ドナルド・トランプ、J.K.ローリング、およびポール・マッカートニー。気をつけて。 ソースロンダリングの経路 #7.Cannibalistic Sushi の経路 (2006/11/08) Weird Asia News "Japanese Banquet of Cannibalism" http //www.weirdasianews.com/2006/11/08/japanese-banquet-of-cannibalism/ ↓ (2007/09/04) Pork Your Pork "Feast Like a Cannibal at the Human Banquet" http //porkyourpork.bestuncensored.com/feast-like-a-cannibal-at-the-human-banquet ↓ (2008/09/11) CRACKED.COM "The 8 Most Terrifying Restaurants from Around the World" - #7. Cannibalistic Sushi http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ #1.“Roppongi” の経路 実話GON!ナックルズ2007年9月25日号 P60-63 「エロバカ都市伝説」 ↓ (2007/09/17) Mainichi News "The Cook, the Beast, the Vice and its Lover" ↓ (2007/09/17) InventorSpot "New Restaurant Lets you Pork your Pork" http //inventorspot.com/articles/pork_your_pork_6934 http //porkyourpork.bestuncensored.com/pork-your-pork (ここにリダイレクトされている) ↓ (2008/09/11) CRACKED.COM "The 8 Most Terrifying Restaurants from Around the World" - #1. "Roppongi” http //www.cracked.com/blog/2008/09/11/9-restaurants-designed-to-ruin-your-appetite/ 関連ページ The Cook, the Beast, the Vice and its Lover WaiWaiの記事を転載した英語サイト：C
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Market Analysis The global Online Sports Betting Market is predicted to increase at a cagr of 13.6%, from USD 24,988.4 million in 2019 to USD 59,530.7 million by the forecast period. The global online sports betting market is expanding due to increased demand for sports, which is essential for reaching development goals. In a number of geographical, cultural, and political contexts, sport can play an important role in promoting societal integration and economic prosperity. Sports impact on social capital, culture, trust, and crime can help with increasing capital accumulation, thereby improving and strengthening market functioning. All these outcomes further reinforce each other to grow the market. Furthermore, participating in sports allows players to live longer and healthier lives. The global E-Sports market has been expanding in recent years, with an increasing number of players participating as competitors or spectators. The modern sports-only websites are now growing in popularity just like the traditional sports betting website, now offer chances to bet on events and tournaments, similar to how many people bet on E-Sports. The major growth factor of such market share would be the increasing sports demand and rising demand for e-Sports activities. The online sports betting market is seeing an increase in growth due to rising digital innovation. However, due to Government prohibitions, some nations are expected to put some restrain in the global market expansion. Then again, the enhancement of digital innovation through advanced programming and technological use can bring more opportunities in the global market due to high-quality games. COVID-19 Impact on the Worldwide Online Sports Betting Market The spread of new coronavirus has impacted numerous industries, including manufacturing, from raw material production to final product distribution. On the other hand, in order to track the spread of a deadly virus, governments around the world imposed restrictions on a variety of sporting activities. Scheduled events including the English Premier League, Serie A in Italy, La Liga in Spain, Super Lig in Turkey, and Major League Soccer in the United States were canceled or postponed due to a rise in the number of COVID-19 cases globally. Some organizations prefer to reschedule events in order to decrease expenditure losses, such as the Belgian Cup final, which was initially slated for March 2020 but was moved to August 1st. Another case in point is the African Nations Championship 2020 competition, which was scheduled to take place in Cameroon in April 2020 but has been postponed until further notice. Since governments imposed lockdowns to contain and monitor the spread of the fatal virus, a sizable percentage of the workforce has been instructed to remain indoors, resulting in a surge in demand for virtual entertainment and media. Microsoft, for instance, announced a large rise in multiplayer participation in March and April 2020. Furthermore, when physical venues stayed closed to prevent the spread of the virus, online casino gaming and fantasy sports betting grew by more than 30%. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8641 Market Segmentation The global online sports betting market is classified into various segments based on sports type, by type, by application. Moreover, on the basis of sports type, the online sports betting market is bifurcated into football, cricket, tennis, baseball, volleyball, basketball, hockey, horse riding, boxing, golf, racing, and many others. Further, the football segment is sub-segments into FIFA, Premier League, UEA/EURO, and others. The market analysis report suggests that the FIFA segment has registered for acquiring the largest market value in the preview period and increasing at a CAGR of 125 in the forecast period. According to the by Type segment, the online sports betting market is classified into line-in-play, fixed old betting, daily fantasy, e-sports, exchange betting, spread betting, and others. The online sports betting market is again segregated into web-based and mobile-based based on the application segment. Regional Analysis According to the global market analysis report, the regional bifurcation of the online sports betting market includes North America, Europe, Asia-Pacific, and the rest of the world. Moreover, the market study also states that Europe has dominated the online sports betting market in the preview years and is expected to grow at a CAGR of 12.1%. The driving factor would be the increasing zeal of watching sports with the advancement of innovative game formats and gaming modes. However, during the forecast period, the North American market is predicted to grow at the fastest rate of 15.8%. Key Players Notable players in the worldwide online sports betting market include 888 Holdings PLC (UK), Flutter Entertainment PLC (UK), Bet365 Group Ltd (UK), Fortuna Entertainment Group (Netherlands), Churchill Downs Incorporated (US), Entain PLC (UK), DraftKings (US), Betsson AB (Sweden), Betfred Ltd (UK), Webis Holdings PLC (Isle of Man), Kindred Group PLC (Malta), Sportech PLC (UK), BetAmerica (US), HKJC Football Betting Limited (Hong Kong), and Megapari (Cyprus). Industry Updates In April 2019, Betfred made the debut of its American Sports betting platform at Betting on Sports America 2019 at Meadowlands, New Jersey. In January 2022, Inspired, one of the leading B2B gaming content providers, announced to have acquired Sportech Lotteries, Inc., a subsidiary of Sportech PLC. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/online-gambling-market-8641 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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2010-04-25 First Entry 2010-04-25 20 51 50 (Sun) Last update Trasnlated by angelica Title Alice Human Sacrifice Lyric Once upon a time, there was a tiny dream. Nobody understood who dreamt it, because it was such a tiny dream. The tiny dream began to think "I don t want to disappear like this. How can I make people dream me?" The little dream thought and thought, and finally had an idea. "I ll make humans get lost in me, and let them make my world." The first of the ALICES was a gallant red girl Holding her sword in one hand, she went through Wonderland Cutting down more colorful creatures than she could count The road that was behind her turned bright red in her wake As for that Alice, she s in the forest Just like a criminal, she has been all locked away Besides the path that she made in the forest There is no way you can know she existed at all. The second of ALICES was a quite meek blue man Singing all the songs he knew, he went through Wonderland Spreading out more lovely notes than he could really count, The world that he gave birth to had surely gone insane As for that Alice, he s just like a rose By a man who had gone mad, he was shot between the eyes One bright red flower that he made to bloom He is loved by everyone as he goes off to die The third of the ALICES was a pretty young girl With her beautiful figure, she went to Wonderland Deceiving more people than she really cared to count She created a very strange country for them all And that poor Alice was the country s queen By a very twisted dream, she was rapidly possessed Becoming so afraid of her decaying body From the summit of her country she still lives to rule Somewhat following the small path through the forest They had a tea party underneath the rosebush From the palace came a pretty invitation card The ace of hearts, the trump suit The fourth of the ALICES were happy twin children From their curiousity they entered Wonderland Passing through more doors and gates than they wanted to count, They had only just recently entered this strange place With a strong-hearted big sister and her intelligent brother They were close to being the first of ALICES, but then Those two people will not ever wake up from their dream They are doomed to forever wander through Wonderland. Note The first part of translation, the part not sung, is almost entirely borrowed from bluepenguin (http //penguinsjlyrics.webs.com/other/vlhitobashira.htm). Most of the song is my own work, using hers as a crutch to get done faster. The main exceptions "was a gallant red girl" and "was a quite meek blue man" should really just be, strictly speaking, "gallantly" and "meekly". "Shot between the eyes" is throughly cheating. "Ace" of hearts. And the parts about the counting are a twisting of the word commonly translated "countless", to emphasize how those sentences are similar.Singable! Singable! That s the important thing! Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る
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Market Scenario The introduction of technologies such as supervisory control and data acquisition (SCADA) and smart grid network management has modernized the current power grid infrastructure to make performance, adaptability, and reliability more sophisticated. The smart grid sensor is expected to show significant growth over the forecast period, in the lines of these factors. In addition, the increasing number of electrical thefts in commercial and residential areas, and the system of energy faults, and extreme weather conditions operational capacity is expected to drive the market over the forecast period. Novel coronavirus has Smart Grid Security Market Growth to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The Smart Grid Security Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. The conventional power grid system is being modernized into a smart grid to address issues such as power dissipation, concentrated information flow and growing safety and consistency concerns. On the other hand, security concerns and increased counterfeiting of energy utilities are presumed to hinder the growth of the market for smart grid sensors over the review period. In addition, the high energy consumption of smart grids is presumed to impede market growth over the projected period. In addition, the growing COVID 19 pandemics worldwide has created a major market disruption and is expected to continue its impact on the market in the foreseeable future. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7168 Competitive Outlook Some of the key players of smart grid sensors market include ABB Ltd. (Switzerland), General Electric Company (U.S.), Oracle Corporation (U.S.), Siemens AG (Germany), Cisco Systems, Inc. (U.S.), Itron, Inc. (U.S.), Landis+Gyr (Switzerland), Schneider Electric SA (France), Tech Mahindra Ltd. (India), S C Electric Company (Illinois, U.S.), Aclara Technologies LLC (U.S.), Open Systems International, Inc. (Minnesota, U.S.), Esyasoft Technologies Pvt. Ltd. (India), Trilliant Holdings, Inc. (U.S.), Wipro Ltd. (India), NexGrid, LLC. (U.S.), Kamstrup A/S (Denmark), Globema (Poland), EnerNOC, Inc. (U.S), and e-Smart Systems Pvt. Ltd. (India). Segmentation The smart grid sensors is differentiated by component, sensors, solutions, service, and application. Based on sensors, the smart grid sensors market is sub-divided into dynamic line rating sensors, outage detection sensors, voltage/temperature sensors, transformer monitoring sensors, and others. The component segment consists of sensors, AMI meter, programmable logic controller (PLC), networking hardware, and others. Furthermore, the service is classified into deployment integration, consulting, support maintenance, and others. Smart grid sensors is further divided based on solutions that include smart grid distribution management, smart grid communication, substation automation, grid asset management, Advance Metering Infrastructure (AMI), and billing customer information system. Based on application segment, the smart grid sensors is segmented into Advanced Metering Infrastructure (AMI), smart energy meter, supervisory control and data acquisition (SCADA), and others Regional Analysis The smart grid sensors are geographically segmented into four different regions, namely North America, Asia Pacific , Europe and the rest of the world. North America is presumed the dominant region in the market for smart grid sensors. The United States and Canada are the region s leading nations. It is attributed to the region s rising suppliers of smart grid solutions to boost grid stability. In addition, Europe is expected to enjoy significant growth over the forecast period. Countries such as Germany, France and Great Britain are the region s leading countries. The Global Solar Inverter Market is geographically segmented as Europe , North America , Asia-Pacific and the rest of the world. Due to the increase in investments in the construction section, Asia-Pacific is likely to hold a majority of the market share over the forecast period. Demand for solar inverters in Asia-Pacific is expected to rise significantly due to growing demand for solar energy sources and increasing investment in the region s solar energy projects. Solar energy is seen as the best substitute for conventional energy sources for reducing carbon emissions by meeting the region s electricity needs. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/smart-grid-security-market-7168 List of Tables Table 1 Global Smart Grid Security Market, By Region, 2020-2027 Table 2 North America Smart Grid Security Market, By Country, 2020-2027 Table 3 Europe Smart Grid Security Market, By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global Smart Grid Security Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Smart Grid Security Market Continued… B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. 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【登録タグ Alstroemeria Records BLUE NOTE Exserens - A selection of Alstroemeria Records S nomico 明治十七年の上海アリス 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*